



(5)
Five Star with a Warning: Let the Reader Beware [1][6][9][17]
In this book, Joyce continually reminds his readers that this 265,000-word epic utilizing over 30,000 different words is more about his prowess, and sometimes less about your pleasure.
As athletic feat is derived from hours of repetitive drills, so too may this novel's conquest only be enjoyed after years of reading ever improving literature. This is not a book for the amateur. Precisely the opposite, this is a book continually referring to other novels, uses language of greater expanse than most others, and is written in styles which make the complexities vastly increased.
More puzzle maker than novelist, Joyce's decision to write in paradox, paradigm, pun, parody, contrarian, contradiction and more makes the reading experience as complete as one could ask in the English language. The array of writing styles is mesmerizing: simple novel; over 30 pages of newspaper column; a 180-page play; over 70 pages of questions followed by answers; and one final chapter made up of seemingly 30-40 pages in ONE sentence of rambling autobiographical sexual revelation by Molly Bloom - the protagonist's cavorting wife.
The interplay of the styles is extremely brave and enlightening. As they touch upon the same topic, but in different voices and different styles, the reader can further delve into what transpired hundreds of pages before, when the writer intentionally did not reveal it all, and definitely did not reveal it in easily decipherable verse. The interrelation between the texts would allow one to probably read the chapters in different orders and end in the same frame of mind. Nabokov asserted one could do such to his "Lolita." And, Nabokov, creator of "Pale Fire", reminds me so much of Joyce as each toys with and teases the reader with puns, parodies and sometimes outdated jokes.
The main characters, Leopold Bloom and Molly Bloom, are known to even those who have not read the novel. Their mutual philandering is the focus of much of the novel. The exploits of each are relatively revealed. But, not in black and white English. But, the point is taken and from this came one great pornography trial which culminated with a1933 United States District Court decision proclaiming, ". . . the effect of `Ulysses' on the reader undoubtedly is somewhat emetic, nowhere does it tend to be an aphrodisiac."
Such words would not be clearer. "An exquisite dulcet epithalame of most mollification suadency for juveniles amatory whom the odoriferous flambeaus of the paranymphs have escorted to the quadrupedal proscenium of connubial communion." University level English is a prerequisite to understand this alleged smut - or to use Joyce's words: concupiscence delivering induration.
And, most of the book, believe it or not, is not about sexual issues. Much touches upon other topics: philosophy, anti-Semitism, socialism . . . . But it is not didactic and is much more than a 700-800-pages of dialectic prose. And, because some of those topics are extremely poignant in 2009, the book applies and can be read today. Other topics are not for today's discussion. And, that makes reading those portions very difficult for today's reader.
In all honesty there were times when I read the novel and asked, "what am I missing?" I had to stop and reflect, "Do others really see something that I cannot?" For instance the following passage really lost me: "What do they think when they hear music? Way to catch rattlesnakes. Night Michael Green gave us the box. Tuning up. Shah of Persia liked that best. Remind him of home sweet home. Wiped his nose in curtain too." Do I need recite more? This caught my interest as much as a "White on White" painting at the museum of modern art. "I just don't get it."
And then, later I read the question-answer portion (second to last chapter), and the efficiency and beauty of the writing is both unique and unparalleled. A master of accidence and syntax, the writing is clear and artistic and most importantly - understandable. At the end of that chapter, I could only close the book, lean back and reflect on what I just read, and say one word, "Shazam."
Like climbing a mountain, the trek may be difficult - but at the journey's end, the party who endured the hardship will be rewarded with a lifetime of memories. Because of some bizarre passages of experimental prose and style, I cannot assert this is my favorite book. Not even the top ten for me. But, it is a great book. And, so well worth the read.
Few tips: Read "A Portrait of the Artist as a Young Man " and maybe the "Dubliners" before this. I would also recommend reading the last two chapters before reading from the beginning. And have a dictionary nearby. You will use it. Trust me.




(4)
Crytpic, Masturbatory, Brilliant - Difficult.
I was forced, nearly at gunpoint, at university, to read this one. Of course, wouldn't have been able to make heads nor tails of it without a couple companion critical analyses on the syllabus. I remember one time, in Gokarna, south of Goa, in India, drinking at some beach pub w/ a couple fellow Yanks & a few Irish birds & one of the Yanks asks one of the birds `So you can like read `Finnegan's Wake' & like understand like everything,'& the bird nods her head `Oh yeah, totally.' I asked her who Achilles was & she answered `Wasn't he the guy w/ the ankle or something?' I've read It a couple times since, mostly because I hate myself.
Difficult? Yes, cryptic to the point of, er, Pound's later poetry. Wondering if Joyce ever considered his audience, tried to picture it. All these tweekers pretending they get it all, like Hassids searching for numerical codes in the `Old Testament.'
Admittedly some of the best lines in English literature: `Paris rawly waking,' etc., & I dig the chapter where Bloom's mistakenly thought to have won a bundle playing the horses & called a dirty Jew behind his back because he won't buy a round at the pub. Those are the kinds of misunderstandings that happen everyday to everybody sometimes.
The last chapter, following the erratic, racing, masturbatory thoughts of Molly Bloom, is the best. `Masturbatory' is a word you hear a lot when talking about Joyce & w/ good reason. Was he actually trying to express something here, & if so, to whom, the hundred or so people alive at the time able to understand the endless historic & literary allusions? Or was he just jerking-off w/ words? Hard to say though he did end up going blind (in one eye). Hairy palms? Wouldn't doubt it.
The book is read by 3 types of people: Students forced to at uni, Poseurs who wanna show off that they've read it, & Sadists. Having said that, examine your reasons for wanting to read this one because it's going to take a lot out of you, not just time but energy.
Brush up on your Greek mythology, Aristotelian philosophy, World History, Irish politics, Jesuit Catholicism, the Oxford Dictionary (A - Z), Medicine, Irish Folklore, German Philosophy, then your teeth. Read 5 or 6 analyses of the novel, whatever they've got on the shelf at the university library, then read `Dubliners' then take 6 months off work & start in on this one. Also, make sure you buy a copy that says: JAMES JOYCE `ULYSSES' in REAL BIG letters so everybody on the bus/metro/Starbucks can see what a literary chap you are.
Cheers,
Rizzob